France
While Perfect Days is minimalistic and quiet, almost to a fault, Les Indésirables is a bombastic cinematic experience.
Madeleine Collins proves that Virginie Efira belongs to that elite tier of actresses capable of elevating even the most mediocre material.
King On Screen is one hell of a trip down Stephen King cinema memory lane.
The Descent: Part 2 falls within the overflowing pot of sequels made for the sake of making a sequel.
For those with a nihilistic sensibility, there will be solace in the nothingness that comes from Smoking Causes Coughing.
The NY Asian Film Festival provides movie lovers in the tri-state area with a great opportunity to see films across a wide range of genres.
Wilson Kwong dives into two films that are interesting examples of dramatic French cinema with clear commercial appeal.
Human Flowers of Flesh is just as enticing for anyone who has or hasn’t seen Beau Travail.
Revoir Paris is not an easy film to watch, but the emotional journey is a gratifying one.
Making a good double feature, Payton McCarty-Simas reviews He Went That Way and Dead Girls Dancing!
What results is an engrossing, often painful, always warm portrait of the challenges of wanting to make art in a world hostile to the prospect.
A timeless coming-of-age tale told beautifully by Marcello and his collaborators, Scarlet is a cinematic treat for the eyes, the ears, and the heart.
Delphine Deloget’s social-realist French drama, “All to Play For,” also known as “Nothing to Lose,” premiered at Cannes in 2023.
L’abbe Pierre stuns with incredible, reflective artistry, designing a an exquisite stage Benjamin Lavernhe dominates from start to finish.
With its gorgeous cinematography and an incredible performance from Mouna Hawa, Inshallah A Boy proves that freedom is in the fight.
