France
Elena López Riera’s El Agua is a slow, seductive, and assured tale of young love and mysticism in an exquisitely rendered Spanish village.
R.M.N. is the work of an artist with a rare gift for transmogrifying culture, politics, and ideology into human drama.
Amidst a sea of dull, insipid, even sadistic takes on the beautiful, suffering royal lady story we’ve seen, Corsage breaks like the sun through the clouds.
Black Box as a whole will keep viewers engrossed and unsure, its unpredictability and weaving mystery an entertaining venture.
While not the most groundbreaking or inspiring film, it’s still a masterful piece of early Truffaut filmmaking and storytelling and a revered classic.
In his final report from Sundance Film Festival, Wilson Kwong reviews Happening and Girl Picture.
In our latest report from Sundance Film Festival 2022, Wilson Kwong reviews Fresh and Worst Person in the World – both films demanding attention.
Featuring an understated performance from Tim Roth, Sundown forces audiences to reevaluate all of our assumptions about him and his unconventional choices.
While Dumont’s France seems more interested in piling dramatic events on top of dramatic events, Seydoux is never less than masterful.
Patrick Ridremont’s The Advent Calendar is a holiday horror film about a woman given the opportunity to walk again, but at what price?
All is Forgiven chronicles the breakdown of a family and a daughter’s attempt to understand the real reasons why many years later.
Hidden Kisses is a well-acted and well-crafted movie, but it still feels a bit overdramatic given the year of its release.
In using the medium of melodrama for Parallel Mothers to convey such a message, Almodóvar has given us one of his best films in years.
Żuławski channeled his personal heartbreak into primal horror, and the result is a messy, marvelous movie.