Hong Sang-soo
From this year’s New York Film Festival, we take a look at In Water & In Our Day!
In rapid succession over the past couple of years, the cinema of Hong Sang-soo has…
With Hong at his most delightfully Rohmer-esque and Kim at her most effortlessly charming, The Woman Who Ran showcases humanity at its most authentic.
If there’s anyone who can turn something mundane into something magical, it’s director and writer…
We take a look at three of South Korean filmmaker Hong Sang-soo’s films: Woman on the Beach, Hill of Freedom and Yourself and Yours.
Not all conversations are deep, some of them are about trivial everyday things. But in Grass, every conversation is an intricate miniature story.
Director Hong Sang-Soo’s latest effort, On The Beach At Night Alone, is one of his most deeply autobiographical (and best!) to date, but it isn’t particularly accessible for newcomers to his filmography.
We continue to cover the multitude of films coming from London Film Festival, with reviews of among others, 1%, Lean on Pete and Good Manners.
This is pt 4 of our Toronto International Film Festival coverage, in which we cover the new Scott Cooper film, new Del Toro, and more.
Another day of school on Wednesday (September 14th) allowed me to take a break from my TIFFing, which was welcome. However, I was back on the town the next day, my sixth of what would be nine days in total. After the first weekend, TIFF starts to wind down:
