horror
While Uncle Peckerhead kind of falls apart at the end with too many twists, the journey is worth taking despite its destination.
The triumph of The Columnist goes beyond an intimate understanding of the problems of the digital age, to a solid grasp on how that culture makes monsters.
While reluctant to dive deeper into the effects of violence in the media, Random Acts of Violence offers plenty of fun to make it unmissable.
A Night of Horror: Nightmare Radio is a horror anthology curated by Nicolás Onetti and Luciano Onetti. The film consists of horror shorts made between 2012 and 2017.
Lovecraft Country is a knockout of a show, and one that is epic, terrifying, and relevant altogether.
La Llorona, the latest from Jayro Bustamante, is a tonally audacious and proudly solemn horror film infused with transfixing political weight.
Sputnik is a solid alien-driven thriller; it’s when it focuses on the more human elements to its story that it stumbles.
All and all, Good Manners is a flawed narrative with a good heart and powerful message at its core.
Amy Seimetz’s sophmore directorial effort is full of great performances, but never engages with the premise enough.
It is a fun zom-com, but if you aren’t desperately seeking out for a lighthearted zombie film, then it’s maybe not the first film you would come across.
The film making is far from flawless, but what Ganja & Hess really projects is the sense that it came from a person who wanted the work to reflect himself.
Black Water: Abyss starts strong in its horror, but too quickly, the film devolves into a story of drama with a background of splashing water.
Blake I. Collier takes a deep dive into the ways films explore dementia and turn it into a source of horror with varied results.
We spoke with Jeremy Allen White about his role on the long-running series, Shameless, and in Dave Franco’s directorial debut: The Rental.
We attend a roundtable with director Natalie Erika James, cast members Robyn Nevin, Emily Mortimer, and Bella Heathcote to dive deeper into Relic.