horror
Color Out of Space heralds Richard Stanley’s return, a man given short shrift and who has a great eye for throwback horror and truly creepy cinema.
Glass Cabin is a delectable little horror short reaching into the depths of the human mind, a mind that cannot be trusted.
If you’re willing to take a chance and join Eggers, Pattinson, and Dafoe on their very weird journey, you’ll find it’s worth the trip.
Coming in at just over 90 minutes with a solid pace throughout, Porno is very funny, very gross, and full of heart.
With the second half of the season left to still air, and the follow-up episode giving attention to the survivors, AHS 1984 seems primed for a sequel.
This guide will help you discover some spooky (but not too scary) movies to enjoy as we get closer to Halloween. Happy haunting!
As we approach the midseason, body count rising and with no escape, “True Killers” was proof that AHS 1984 is far from slowing down.
Somewhere in the passable 90-minute In the Tall Grass is an hour long short that’s riveting, tense, and short enough to not overstay its welcome.
With a return to its roots, AHS 1984 is stronger than it has been in a long time, delivering the horror and the entertainment of genre films of the past.
The remake of Jacob’s Ladder is a simplistic but overly convoluted horror with no thrills and spills.
Velocipaster would have worked better as a short film. As is, it pulls itself into too many directions with random plot lines.
Harpoon never gets deep enough to attain full authenticity, but it’s still a fittingly tense and amusingly deranged romp, poking fun at how low these people are drowning into moral abyss.
Blood Quantum manages to be creative, while somehow also maintaining the zombie apocalypse genre’s known sensibilities.
Little Monsters is a horror comedy with no scares, and a comic potential that runs out of steam by the time the premise kicks in.
In the first video of a new series, Kristy Strouse discusses Stephen King’s It, comparing the novel to its many adaptations and tries to unravel the story’s complexities.