horror
The Changeling has built up a devoted club of admirers and its influence on films such as The Ring and Annabelle have seen it reclaimed by many as the grandfather of the Conjuring Universe.
Some scenes have a lasting impact – the Film Inquiry team dredges up some of the most gruesome and horrifying scenes that they couldn’t ever forget.
Film Inquiry’s Tessa Bahoosh writes about one of her favourite films, The Blair Witch Project, and how its existential dread still resonates today.
Possum is an impressively chilling debut from Holness and credit must go to the director for taking a risk on a darker affair.
The Super has the occasional moment of great horror filmmaking – but not enough to make it a super film.
American Horror Story’s “Traitor” was packed with old characters returning, answers and satisfying moments – yet there are still many questions that remain.
While the film possesses a level of craft and passion that cannot be ignored, Await Further Instructions is missing something vital: originality.
Ken Wiederhorn’s mostly forgotten 1977 film Shock Waves is an apt metaphor about the fear of a fascist planet.
If it’s undeniably riddled with imperfections, Apostle is still a worthy new venture from an abundantly talented filmmaker.
Halloween ends strongly, which always helps, but the picture lacks imagination in too many other areas to have any lasting impact.
Soul to Keep is a horror tale about sadistic ritualism that, whilst having its heart in the right place, struggles to break free from the shackles of genre conformity.
Episode 6 was the episode we have all been waiting for – the “Return to…
Killer Kate! is silly and toneless – although flawed, it may be the calling card for debut filmmaker Elliot Feld for more suitable projects to come.
As a work of storytelling, Guadagnino’s reimagining of the canonical giallo is a boring mess with higher thematic aspirations than it’s able to realise.
I Still See You is another entry to the endless array of young adult fare, and it’s a near flop that doesn’t look to be boundary-defying, instead playing it safe.