Ever as before, once “Romulus” gets underway, they encounter Facehuggers, Xenomorphs, and their mission devolves into a fight for survival.
Writer-director Aviv Rubenstien’s new horror film, “Lizzie Lazarus,” premiered at the 10th annual Popcorn Frights Film Festival in 2024.
She Came Back is a well-crafted horror film that leverages powerhouse performances and exceptional storytelling to create a memorable experience.
Trap is a movie seemingly gift-wrapped for greatness that eventually crumbles under its own logic.
Forty-five years after Alien, cat people finally have a new horror movie with Michael Sarnoski’s “A Quiet Place: Day One.”
Overall, Longlegs is well-directed, artistically apt, and really, really suspenseful.
Before getting to Ti West’s Maxxxine, here are five other films to check out!
Princeton’s in the Mix skewers a mother’s obsession with her son’s performance on the SATS, taking the potential consequences to an extreme.
Universal’s marketing kind of screwed the pooch with Abigail. I’m going to explore where specifically the advertising fumbled, and why.
For the viewer who doesn’t mind overt imitation– Beacon, with its twists, turns, and choppy seas, may hold some interest.
Ultimately, though the package may feel familiar, The Devil’s Bath still has cogent ideas to share.
With I Saw the TV Glow, Jane Schoenbrun stakes their claim as the preeminent chronicler of those specific horrors inherent in coming of age as a millennial.
Even with as slow and frustrating as the first half of it was, New Life was still a fun watch.
There is a deep love that carries through the devastation, Train to Busan delivers what movies are all about.
A timely horror satire chock full of gore and guffaws, Humane entertains in spite of its flaws.