horror
Ultimately, though the package may feel familiar, The Devil’s Bath still has cogent ideas to share.
With I Saw the TV Glow, Jane Schoenbrun stakes their claim as the preeminent chronicler of those specific horrors inherent in coming of age as a millennial.
Even with as slow and frustrating as the first half of it was, New Life was still a fun watch.
There is a deep love that carries through the devastation, Train to Busan delivers what movies are all about.
A timely horror satire chock full of gore and guffaws, Humane entertains in spite of its flaws.
A man and his teenage daughter realize they’re at the center of a dark and sinister event while watching a concert.
Late Night with the Devil will leave you speechless by film’s end, unable to verbalize how you feel or what you are seeing.
With Easter just around the corner, it felt like the perfect time to check The Omen off my list.
A skill that speaks to a seasoned directing team, but as a debut feature Birdeater tests and tortures, and doesn’t waver.
Desert Road is what indie cinema should be. It’s ambitious, beautifully shot, and entertaining in all the right ways.
From Ridley Scott’s Alien to David Cronenberg’s The Fly, From Little Shop of Horrors to Frankenstein, Leprechaun 4 not only takes us to the depths.
Stopmotion is a unique gem within the realm of horror, capturing the disintegration of a puppet and puppeteer.
Film Inquiry spoke Scream Dreams Podcast host Catherine Corcoran and head of production Bob Portal from AMP!
For this Horrific Inquiry we take a look at 2010’s vampiric Let Me In.
Coby Kiefert walks you through how horror’s portrayal of women over the years has progressed, and what this gradual change signifies.