horror
While Gothika may not have stood the test of time, or have the most plausible horror narrative, it delivers an eerie watch.
Kristy Strouse takes on three bold short films, wrapping up this year’s Sundance Film Festival with some horror, some comedy, and some punk rock.
Horror films have trained us to expect the final girl, but Funny Games does not acknowledge this hope and desire for survival.
With this report of the Sundance Film Festival, I delve into a world of crime, of the dead returning to life, and a true coming-of-age story.
We interview multi-talented Writer/director Masha Ko who recently won the Sundance Jury Award for Best Short Film Director at this year’s Film Festival!
Film Inquiry spoke with writer and director Cynthia Garcia Williams, whose horror short, Legend of El Cucuy, stands out as innovative and eerie.
With The Moogai, writer-director Jon Bell weaves historical trauma and a new mother’s struggles to deliver a thematically rich supernatural horror.
Legend of El Cucuy brings an old folktale back to life in an effective way. Perhaps this short will be shown to children and future generations as a cautionary tale.
With PU EKAW TNOD, we’re able to see such vision exploring the idea of being the viewer and the viewed, and it’s just as creepy as you think.
While those looking for genuine chills should certainly seek them elsewhere, this movie is batting at a surprisingly high level.
With holiday season underway, Charles E. Sellier’s Silent Night, Deadly Night was the perfect way to usher in the spirit on this Horrific Inquiry.
A Creature Was Stirring feels as though it has something deeper to say, but never seems to find the cohesion and narrative direction to say it.
“Peeping Tom,” now known as a cult classic, is a thrilling examination of the dangers inherent in making and watching moving pictures.
Welcome back to the scariest, and at times goriest, column here at Film Inquiry: Horrific Inquiry.…