Hugh Grant
Love Actually is as heartwarming as it is quotable – the experience of love and joy a permanent staple each and every year.
Bridget Jones’s Diary is a classic, yet refreshing, take on the rom-com, showing the imperfectly wonderful side of romance in your thirties.
The story will focus specifically on a young Willy Wonka and how he met the Oompa-Loompas on one of his earliest adventures.
Operation Fortune: Ruse de Guerre is not a movie we need per se, but for those enthusiasts of Guy Ritchie, it might have been just enough for them.
A charming thief and a band of unlikely adventurers embark on an epic quest to retrieve a lost relic, but things go dangerously awry.
Looking back on Chris and Paul Weitz’s 2002 comedy About a Boy, one can’t help but find a perfect pandemic watch.
Death to 2020 says a farewell to the year in the best way possible, inviting every viewer to join in the experience and the catharsis.
While beautiful to look at, The Undoing struggles to say something compelling as it’s more interested in amplifying the melodrama.
With a stellar cast and the beautiful cinematography, a benchmark of the Merchant Ivory productions, on full display, Maurice is well worth the watch.
Stephen Frears’ LGBT miniseries A Very English Scandal showcases his abilities as a director but also his recurring flaws.
Music and Lyrics might not venture too far into uncharted waters, but with some solid voices, and plenty of hummable beats, it’s a crowd-pleaser that takes it a step further with its heart.
In our latest entry of The Nominated Film You May Have Missed series, we discuss the 1995 timeless classic Sense and Sensibility.
Paddington 2 is the rare sequel that is better than the original, filled with a good natured warmth that will delight children and parents alike.
Although filled with flaws, this charming mini-sequel, Red Nose Day Actually is hard to criticise due to its good, charitable intentions.
It’s very easy for the media to get overexcited about a new Meryl Streep film, and one costarring Hugh Grant and directed by Stephen Frears at that, but this time there’s something different. I think maybe, what with the recent success of The Iron Lady and the confusion over Suffragette (where she was on screen for only a few moments), the media and filmgoers are suffering from a little overindulgence when it comes to one of the world’s greatest actresses. So although Florence Foster Jenkins has been promoted widely, it hasn’t been the film on everyone’s lips.
