Hungary
Twilight is remarkable, and it’s a movie that is at once empathetic and compassionate and also cynical about the limits of justice.
Flux Gourmet is a movie wholly dependent on making sound editing and cinematography do all the work and they can’t quite get there.
A look into the current state of Hungary’s filmmaking and cinematography societies and their connections to politics and institutions.
From this years South East European Film Festival Los Angeles, Kristy Strouse reviews Mare and Cream.
Like its title suggests, it is a peculiar tale that lives on its frustrating evocation of the ambiguity of love.
Pieces of A Woman is remarkable – it’s either the final great film of 2020 or the first masterwork of 2021.
If you’re looking to wallow in despair, rather than escape it, then Damnation is the film for you.
Pieces of a is nevertheless chock-full of indelible moments; ones that help you ride out its harsher sequences with earnest warmth and genuine care.
We spoke with Gavin Rothery, the director of Archive, which explores new territory in sci-fi themes like memory, humanity, loss, and fear of replacement.
Kontroll may be subterranea, but it should remind us to keep close watch over the politics of our own transition now.
Terminator Dark Fate is a tentative move in the right direction for the series, acknowledging that the formula must be changed without fully pulling the rug out from under fans.
Sátántangó is the kind of film that so few filmmakers have the opportunity to make, and even fewer are given the chance to have them shown and cared for so widely.
Beyond being historically significant and a truly gorgeous film, Son of the White Mare manages to connect with our most ancient arts and make them digestible for any viewer.
I came to the conclusion that I like watching paint dry because not only did…
Nemes’ masterpiece Sunset ruminates on the cyclical ignorance of humanity to blistering effect, eliding our past faults, our present negligence and our future turmoil.
