IFC Films
Paul Verhoeven’s latest film Benedetta, based on the infamous 17th century, has the Catholic Church up in arms as it delivers the satire.
Mia Hansen-Løve’s Bergman Island features emotionally intelligent filmmaking and a lovely central performance from Vicky Krieps.
For the release of her new film, Holler, Film Inquiry sat down to speak with writer and director Nicole Riegel.
The Queerly Ever After column celebrates its 50th entry with Christophe Honoré’s 2007 film Love Songs (Les Chansons D’Amour).
A stellar debut packed with poignant performances, the beautiful Babyteeth announces Shannon Murphy as a director who deserves our full attention.
True History of the Kelly Gang wants us to sympathize with a murderer who suffered great trauma from birth to death. It’s unfortunate that the film’s most critical moments fall flat.
Resistance is a film that struggles to find its footing, though Eisenberg is always there to break its fall – for better or worse.
With The Other Lamb, Malgorzata Szumowska gives us a fresh perspective on the topic that proves to be just as challenging as it is wickedly absorbing.
Whatever cracks and uneven corners exist in Disappearance at Clifton Hill are easily glazed by a story that is good enough.
In order to fully enjoy Olympic Dreams, one needs to see it as an experiment.
Carried by a brilliant performance from Bennett, Swallow is a disturbingly effective psychological study focused on the extreme lengths one will go to declare independence in the face of oppression.
Emily Wheeler takes a look at how Jennifer Kent uses sound in The Nightingale and how it contributes to the experience and narrative.
The Day Shall Come really comes close to approaching greatness, so it’s even more of a shame that it sputters as it reaches the home stretch.
Sounds and vibrations undoubtedly shape the world as we know it, in turn capable of…
The Day Shall Come is a dark, biting commentary on systemic racism of law enforcement and the weird Kafkaesque nature of the War on Terror.
