Judy Greer
David Gordon Green’s sequel to Halloween, Halloween Kills, is an aggravating, unnecessary, and horribly misguided feature.
An injured Laurie Strode leads a vigilante mob to hunt down unstoppable killer Michael Myers and end his reign of terror once and for all.
The story isn’t particularly revelatory, but the idiosyncratic humor and Zoey Deutch make Buffaloed a fun film.
Driven is a film that, despite a unique structure and talented cast, doesn’t feel as inventive as it sets out to be.
Halloween ends strongly, which always helps, but the picture lacks imagination in too many other areas to have any lasting impact.
In Halloween, Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree four decades ago.
In a genre dripping with teenage iconoclasm and headbanging angst, Adventures in Public School makes at the very least for comforting viewing and offers a sweet view of respect, family and independence.
Our Souls at Night an important reminder that there are still plenty of stories worth telling in the twilight years of one’s life.
Wilson is as gleefully profane and heart-wrenchingly tragic film, that lives up to its creator’s legacy as a storyteller.
A midlife crisis is roughly defined as a period of anxiety and disappointment reflecting on your past as you approach middle age. Those going through a midlife crisis are noted to act irrationally compared to their previous behaviour in a need to get out of a self-perceived rut. It has often been noted that no two people react to the dawning of maturity in the same manner, even if the cause of the anxiety is always the same.
