Julianne Moore
In May December, there are more important things than the answers to Haynes’ litany of questions, which may frustrate some viewers.
While not essential viewing, the film is a successful directorial debut by Jesse Eisenberg.
Lisey’s Story is a miniseries of magic, both in what it explores universally, but also what it generates internally.
The objective of Luca Guadagnino’s experimental short The Staggering Girl is up for debate, which won’t be a problem for long-time admirers of the auteur’s style or share the same inherent love for high fashion.
After the Wedding wants nothing more than to be a tearjerker, but the emotions run cold and the twists are all for show.
While Gloria Bell might be almost a carbon copy of 2013’s Gloria, the film demonstrates how much Sebastián Lelio has evolved as a director over the past six years.
Sebastián Lelio returns to his breakout material with Gloria Bell, an English-language remake of his 2013…
Replete with unnatural dialogue and emotionally manipulative plot developments, Bel Canto may well go down in cinematic history as the most boring hostage drama of all time.
In Bel Canto, a world-renowned opera singer becomes trapped in a hostage situation when she’s invited to perform in South America.
With a weak and unfocused plot, Todd Haynes’s Wonderstruck feels like a love letter that isn’t quite sure who it’s addressing.
Suburbicon is a somewhat effective thriller that unfortunately squanders its potential at being a deeper film about racial tension.
Despite some flaws, Suburbicon is still a riot of a good time, poking fun at the inherent obscurity of the American Dream in a unique way.
Stephanie Archer takes an in-depth look at Wonderstruck, the official centerpiece selection of the 2017 New York Film Festival.
Our latest “In Defense Of” is The Lost World, the Jurassic Park movie that has typically been overshadowed by its masterful predecessor.
