Pink Narcissus is a film that is of creative and inspirational importance, a literal relic of possibility in the realm of the visual image.
We spoke with Harry Greenberger about his directorial debut Staring At the Sun, the film’s festival run, and what he has planned next!
It’s undeniably flawed, but considering its mindbogglingly low £2,000 budget, The Bastard Sword is an impressive achievement.
The Sadist is a 1963 exploitation picture that lives in relative obscurity – but its technical ingenuity is begging to be rediscovered.
Anti Matter displays ingenious science fiction storytelling on a micro budget- but sadly, the film falls down a wormhole of its own making.
We shot Dead Certain in the French Alps during seventeen intense days in the winter of 2014. A post-epidemic thriller, we wanted the film to feel desolate and lonely. The quaint town of Monnetier-Mornex offered a perfect setting: