While Don’t Worry Darling has some very good perks it ultimately tries to work with too many ideas without giving them one direction.
Missing retains the feeling of a J-horror, slowly building the intensity of its mystery while examining the potential compassion and deliverance of death.
Byh The Wonder and My Policeman playing at the Toronto International Film Festival could not be any more different.
Urban Legend may have become a legend of its own in the years since its release, yet it still retains its place within the slasher films of the 1990s.
The strength lies in the movie’s ability to make the most with a small budget, but it cannot mask the shortcomings of an uncompelling story.
Rogue Agent isn’t your average spy movie—mostly because the central character is not your average spy.
John Mathis’ Where’s Rose is more concerned about real-life horrors than it is with fantastical ones, and it is all the better for it.
In 1995, Devil in a Blue Dress didn’t receive the recognition it deserved. Despite positive…
From the layers of trauma to the shocking twist ending, Carnival of Souls is a classic cinematic experience best shared with others.
For the second Inquiring Minds we tackle the 1965 Jean-Luc Godard sci-fi noir feature, Alphaville.
One of my favorite times of the year is coming to a close. While I…
In her first report from Tribeca Film Festival 2022, Kristy Strouse reviews Family Dinner, Huesera & A Wounded Fawn!
For this Horrific Inquiry, we take a look at the 2010 horror starring Ryan Reynolds: Buried.
Showing that love, life, and relationships are imperfect, Mark Schwab’s Brotherly Lies is a gripping indie drama about regret, desire, and trauma.
Dan Mirvish explores the mystery of the biggest political scandal in history through 18½, an engaging, quick-paced, and wonderfully comedic thriller.