mystery
The chemistry between Bogart and Bacall and Howard Hawks’ storytelling have turned The Big Sleep into a lasting classic.
It’s films like Angel’s Egg that make the critic feel like a charlatan, aimlessly looking for patterns in the entrails.
While it is less gory, especially in the film’s conclusion, it leaves a twist and an ending that speaks to the possibility of more films to come.
The Boy Behind the Door boasts some incredible shots, framing marrying with its lighting, crafting intrigue, and lasting impressions.
On it’s 25th anniversary, Orson Welles’ oeuvre The Stranger towers over the thrillers with which it’s so often been unfairly bundled over the years.
Fear Street: Part Two – 1978 is a charming and at times, heartfelt horror film, but its moments of horror are often hidden from the viewer, creating a film that does not fully embrace its potential.
The debut feature from Saudi Arabian filmmaker Shahad Ameen, Scales weaponizes repressed femininity in the…
In the latest edition of Horrific Inquiry, we take a look back at 1997 slasher I Know What You Did Last Summer.
For its high-concept presentation, The Wanting Mare is not a very demanding picture but more of an invitation to a unique passion.
In a transformative paranoia and confined space, The Woman in the Window may not be the best remake of a classic tale, but it is far from the worst.
The latest edition of Film Inquiry’s horror movie-centered column, Horrific Inquiry, takes a look at the 2001 Japanese film Kairo, or Pulse.
While it might have become a bit dated along the way, Dead Silence is still a brilliant horror film to terrify.
Criterion’s upcoming edition of Memories of Murder comes highly recommended to both fans of the film and new viewers alike.
The Oak Room brings light to the darkness of storytelling but at times this is not enough to stay invested in the story and its characters.
It’s a clever and fresh take on not only an oversaturated genre but also an intriguing take on one of the most fool-hearted days of the year.