mystery
The Oak Room brings light to the darkness of storytelling but at times this is not enough to stay invested in the story and its characters.
It’s a clever and fresh take on not only an oversaturated genre but also an intriguing take on one of the most fool-hearted days of the year.
For a low-budget production, Agoraphobia is a high-quality film with a solid storyline and good cast.
The Cabinet of Dr. Caligari, from Robert Wiene, is a film held close to the hearts of film historians, German expressionists, and horror fans alike.
Whether you’re looking for ethical complexity or fascinating character studies, you won’t find it in Watchmen.
While underdeveloped and sluggish in approach, Phil Sheerin’s The Winter Lake is a sedate, rustic thriller examining familial complexities.
Wearing its influences on its sleeve and a love letter to horrors of the past, Awoken is a sharp little horror movie with bite and shocks.
Sean Fallon spoke with director and writer Daniel J. Phillips about his film Awoken, his influences and his next projects.
The Stylist has everything one can want from a horror film; a talented female lead, lots of chills and bloody enticements, and a wickedly impressive style.
With a beautiful 2K restoration, a great audio track, and an incredible selection of supplements, this is absolutely worthy of addition to any collection.
Boss Level might not break new ground, but it’s throughly entertaining and worth watching at least once, if not time and time again.
The Vigil finds success in its intricate and delicate layering of its narrative, giving time for viewers to digest each tidbit given.
Like its title suggests, it is a peculiar tale that lives on its frustrating evocation of the ambiguity of love.
With a lack of investment in its central character and a lackluster execution, The Night is a film not likely to see the dawn.
Far from the best horror film, and far from the best slasher, there is something classically endearing about My Bloody Valentine.
