Netflix
The inaugural season of The Witcher manages to outdo expectations over the course of its eight-episode run, but there’s no doubt that the show does have plenty of visible flaws.
In a holiday season in which the biggest action movie played it relatively safe to disappointing results, 6 Underground’s pure dose of Bayhem is even more of a welcome change of pace.
While Don’t F**k With Cats might be too much for some, with a level of grossness that’s hard to deny, there’s a seedy story that’s hard to ignore.
Atlantics tells the story of the women who are left by their men as the latter migrate to seek work, and it tells that story beautifully.
Kristy Strouse was able to speak with co-directors Taki Oldham & Robert Kenner of Netflix’s The Confession Killer about how they maneuvered this challenging and complex story.
Netflix’s true crime mini-series The Confession Killer delivers detail after detail in rapid succession in exquisite fashion.
Uncut Gems is powerful, almost masterful filmmaking from Josh and Benny Safdie and features a career-best performance from Adam Sandler.
Netflix is again spreading Christmas cheer in cringeworthy fashion with another festive addition to their platform: The Knight Before Christmas.
Marriage Story is a promising film, but Baumbach’s strategies in drawing out his character arcs are uneven, insufficient, and disappointing.
There are shades of the director’s previous work, but The Irishman is like an amalgamation after decades behind the lens.
Oscar-winning producer Eva Orner crafts a portrait of manipulation that’s both engrossing and gross, a narrative more pertinent than ever in the era of the #MeToo and Time’s Up movements.
Thanks to its talented and charismatic leads, The Kaminsky Method overcomes any lack of forward narrative momentum.
Though plot-wise Atypical is somewhat formulaic and uses many tropes from the drama/comedy genre, its utilization and handling of these make it a step up from many shows of the same variety.
Not as impactful or satisfying as its daring predecessor, The End of the F***ing World is not the end of the world, but it’s not a crucial send-off either.
Earthquake Bird is likely to be but a blip in the filmography of both its stars and director.