Netflix
I Lost My Body leaves plenty to be interpreted and discovered by its viewers, making it one of the most thought provoking animated films of the 2010s.
Story stumbles aside, You delivers on all the hot, steamy intrigue that we came to love in the first season.
So far, this season of Terrace House Tokyo has had a mixed bag, and it really doesn’t seem like anyone is close to accomplishing their stated goals.
The 2010s have been exceptional for the TV industry. We share our top ten!
V-Wars is a light show that falls into the ranks of YA adaptations that encourage guilty pleasure, yet do not require to much commitment.
The inaugural season of The Witcher manages to outdo expectations over the course of its eight-episode run, but there’s no doubt that the show does have plenty of visible flaws.
In a holiday season in which the biggest action movie played it relatively safe to disappointing results, 6 Underground’s pure dose of Bayhem is even more of a welcome change of pace.
While Don’t F**k With Cats might be too much for some, with a level of grossness that’s hard to deny, there’s a seedy story that’s hard to ignore.
Atlantics tells the story of the women who are left by their men as the latter migrate to seek work, and it tells that story beautifully.
Kristy Strouse was able to speak with co-directors Taki Oldham & Robert Kenner of Netflix’s The Confession Killer about how they maneuvered this challenging and complex story.
Netflix’s true crime mini-series The Confession Killer delivers detail after detail in rapid succession in exquisite fashion.
Uncut Gems is powerful, almost masterful filmmaking from Josh and Benny Safdie and features a career-best performance from Adam Sandler.
Netflix is again spreading Christmas cheer in cringeworthy fashion with another festive addition to their platform: The Knight Before Christmas.
Marriage Story is a promising film, but Baumbach’s strategies in drawing out his character arcs are uneven, insufficient, and disappointing.
There are shades of the director’s previous work, but The Irishman is like an amalgamation after decades behind the lens.