Netflix
Blonde has and will continue to infuriate audiences, yet is a film that can be studied for not only the continued dominating male gaze, but for the need of women to tell women’s stories.
Do Revenge was a pleasant surprise, entertaining from start to finish.
It’s hard to imagine Noah Baumbach making a film about an apocalypse, yet this enigma-raveled concept perfectly encapsulates White Noise.
Purple Hearts stands as a viable romance venture that is sure to pull at your heartstrings while delivering a platform of conversation for modern struggles.
Look Both Ways was a pleasant surprise. And while its final messaging is predictable, it does not miss on its delivery.
Even with this rushed ending and various bumps in the road, Persuasion proves itself a modest adaptation that, while not the best, is sure to entertain.
Despite solid source material in George Saunders’ short story, Spiderhead is a visually inert misfire and one of director Joseph Kosinsky’s lesser works.
This entry has longer than usual episodes, making this part a deft delivery of the finality of what has been a real significant part of TV life and culture.
Do you want a pick me up without a lot of stakes? Go for Murderville.
Inventing Anna is an engaging and mesmerizing story of exploration, desperation, psychology, and redemption. A Binge-worthy venture.
Coupled with strong performances and talent behind the camera, All of Us Are Dead is a binge-worthy venture.
Adam McKay has crafted a harsh examination of our treatment and lack of action of the environment we live in, one that is sure to push the conversation.
From the very first frame, Netflix’s live action Cowboy Bebop takes its shot at Shinichirō Watanabe’s classic anime and misses.
Birdboy: The Forgotten Children is a brilliant animated film with a haunting score, tragic themes, and an angsty coming-of-age plot.
The Harder They Fall is a confident and engaging debut, staying just on the right side of story versus style with the entertaining tale of revenge.
