Capturing a legacy of fear, Pia Borg’s short documentary Demonic is the perfect depiction of a time when the depths of the mind, imagination and fear gripped a nation.
Bong Joon-ho has put together an intricate, multi-layered portrait of inequality and class. At the same time, he keeps the experience fun and intoxicating.
With groundbreaking visual effects, a razor sharp script, three generational talents and the great Martin Scorsese, The Irishman is as exceptional as you’d hope.
Kevin Lee reviews the first three films he saw at New York Film Festival, Navad Lapid’s Synonyms, the Dardenne Brothers’ Young Ahmed, and documentary Cunningham.
With an infectious sense of humor and some wonderfully dynamic performances, The Favourite is a shining example of a filmmaker at the prime of his art.
Transit and Diamantino are two films that, though with varying approaches and to varying success, attempt to delve into the political turmoil of our world through their narratives.