Nicolas Cage
Color Out of Space heralds Richard Stanley’s return, a man given short shrift and who has a great eye for throwback horror and truly creepy cinema.
In Primal, Nicolas Cage plays a big game hunter for zoos and private collectors. On his ship back to the U.S., a war criminal escapes from his cell and releases the animals on board.
This TIFF 2019 report focuses more on the stranger side of TIFF, including the films Color Out of Space and The Long Walk.
When watching a Nicolas Cage movie, you never know what Cage you’ll end up with. He is a walking box of chocolates, full of variety.
Jim Dixon spoke with director Shawn Ku about his latest film A Score to Settle, working with Nicolas Cage, regret and revenge and what the future holds next.
In the first part of Trash Caviar in which Julian Rosenthal inspects the finest of trash, he recalls Nicolas Cage’s off-the-wall character in Bad Lieutenant: Port of Call New Orleans.
Nicolas Cage stars in Between Worlds and Tunisian filmmaker Abdelhamid Bouchnak delivered an excellent horror – this is our second report from Austin’s Fantastic Fest.
Mandy continues to establish Cosmatos’ many predilections as a visual stylist and storyteller, albeit in a significantly more successful package.
We spoke with Sophie Skelton about her new film, 211, what it’s like working with a veteran like Nicolas Cage, and also what fans can expect from season four of Outlander.
Looking Glass wastes its talented cast on poor writing filled with cliché after cliché, an odd and uninviting artistic vision from the ground up, and an overabundance of narratives and plot devices.
We got to talk with Brian Taylor, director of the upcoming Nicolas Cage and Selma Blair-starring film Mom and Dad.
Mom and Dad maintains its absurdity, while not completely abandoning its eerie core, sensitively playing off a very personal, instinctual source of parents defending their young – until they become prey.
Army of One could have been a lot of different things, with plenty of room to shock and titillate fans of Larry Charles’ usual propensity for visceral subversions of cultural norms. Instead, the movie falls flat as a conservative piece of biographical fiction.
If you are looking for a pleasurable and visual exciting crime thriller from a cinematic legend, you should definitely give Dog Eat Dog a try.
Halloween has come to an end, but some scary things follow us all year. One of them is our guilty pleasures. No matter how critical a film enthusiast can be, there will always be that bad film that is difficult not to love.