Paramount Pictures
When Tom Cruise asks you to trust him one last time, it’s hard to say…
Heart Eyes is an ode to holiday horror-slasher films of the past, coming into a space that has been left vacant for a while and solidly planting their flag.
In Novovaine, Jack Quaid joins the growing list of everyman actors headlining fish-out-of-water action movies.
Diehard Western fans will find The Covered Wagon worth their time, but for the casual film fan there may be more enjoyable films to check out.
John Frankenheimer’s forgotten 1979 B-movie “Prophecy” cashed in on the “Jaws” trend with an awesome man-versus-killer bear adventure.
2022 was quite the year for horror cinema, and “Smile” takes the cake as a particularly horrifying look at how trauma endures.
Addams Family Values delivers not only a new member to the family but also brings the Addamses into a broader world beyond the confines of their mansion.
While the plot of the film is formulaic in structure, The Addams Family finds its success in the culmination of all its parts.
John Krasinski’s A Quiet Place Part II fails to live up to the expectations and high standards that the first movie has established.
Dishonored may not be the most entertaining film in the von Sternberg-Dietrich cycle, but it is the most thoughtful and stealthily affecting.
Travis Knight’s Bumblebee is a surprisingly well-done action film that brings heart and friendship to the Transformer franchise.
In Dreamland, Margot Robbie is perfectly cast as a complex woman whose outlaw glamour belies her inner darkness.
William Hopson dives deep into how the power of Elton John music elevated his classic music to new heights in 2019’s Rocketman.
Malik Vitthal’s Body Cam is a forbidding tale of revenge that comes at you with speciously righteous fury, and that fury lingers.
William Hopson explores how Alan Silvestri’s score proves to be manipulative in the best possible way in Forrest Gump.