Arriving in 4k, there’s never been a better time for Four Nights of a Dreamer to finally take the prominent place it deserves in Bresson’s filmography.
Taxi Zum Klo is a unique and proud feature that dares its audience to consider homosexuality and sexuality in general as natural to being human.
I’ll come clean right up front and say that this has never been my kind…
A sprawling story, Caught by the Tides epitomizes what makes Jia Zhangke one of our most essential contemporary filmmakers.
Just in time for Mother’s Day, Greek Mothers Never Die is a sweet film with enough humor and heartfelt moments for mother and daughter alike.
A Man and a Woman is quite possibly the cinephile’s ultimate date night movie and most definitely a romance that will win you over.
There aren’t any stylistic flairs that Who By Fire brings to the table that differentiate this film from the prototypical coming-of-age movie.
Film Inquiry spoke with writer/director Kevin Lee and his star Angela Wong Carbone for the short film Aly.
Any chance I get to live vicariously through someone else’s experience in Japan, I’ll take…
In the end Eat the Night manages to make myself, a video-game skeptic, more of a believer of its affecting power.
At its best River uses the broad ensemble comedy of Japan in ways that evoke the best ensemble pieces like Noises Off or Christopher Guest’s work.
Bye Bye Love stands on its own as one of the most vibrant and energetic films of the Japanese New Wave.
Aly is a perfect example of a short film done right, a simple idea, executed with grace.
If you somehow need more proof that artificial intelligence cannot rival the humanity needed to create great art, all you need to do is watch Anora.
The Crow struggles to connect with audiences due to its lack of compelling character development and chemistry.