romance
Known as Universal’s “Super Jewel” of 1923, “The Hunchback of Notre Dame” was a smash hit, catapulting Lon Chaney to full-star status.
In the latest report from LFF 2023, Paddy Wilson features vampires at Paul Mescal’s door and devils in David Dasmalchian’s studio – a divine combination if ever there was one.
While The Wolf Man may not have stood that test of time, but it is a classic film that would lay the ground work for wolves to come.
For those who have only a mild familiarity or hold an aversion for faith-based movies, Surprised by Hope is a cut above.
Sleeping With Other People aptly captures humor while offering a generous dose of heartfelt moments.
With Flora and Son, Carney is venturing toward more trendy mainstream territory again and yet stays within his most comfortable milieu.
Both a monumental piece of Chinese cinematic history and a lasting tribute to the special brilliance of its star, this is essential viewing.
While Blue is the Warmest Color was universally lauded, the film drew controversy over its graphic sex scenes and intense directorial methods.
Korean Cinema’s Golden Decade: The 1960s brings together an eclectic assortment of films covering many genres, directors, and performers.
Both P.P. Rider and Typhoon Club showcase many aspects of Somai’s signature style, Lee Jutton takes a look at both.
Sweet if innocuous entertainment, Love in Taipei is pleasant but predictable.
Past Lives is the epitome of contemplative, meditative cinema. It’s perplexing, but in the way I like my movies to be.
Perfectly Good Moment is a difficult-to-watch and captivating thriller.
The Sea Prince and the Fire Child is a classic waiting to be discovered.
The Out-Laws is a workable piece of entertainment, yet will struggle to be a film audiences remember after its release.
