romance
In the long tradition of many Oscar submitted-films before it, its a shame to see Two of Us try to do too much.
Malcolm & Marie isn’t a terrible film by any means, but it’s undoubtedly a bewildering mess that collapses under its own weight.
Private Romeo is an adaptation of Shakespeare’s Romeo and Juliet that transposes the action to the fictional McKinley Military Academy.
For this Queerly Ever After, Amanda Jane Stern takes a look at the 1996 film: Different for Girls.
Shadows is a snapshot of a long gone period, embracing the brash and unfiltered attitude of its era by refusing to omit its mistakes.
Trained focuses on a unique idea but never seems to spring up or explore what’s beneath the surface of it’s chosen gimmick.
Saving Face is a beautifully crafted movie about the fight between family tradition and finding a new way for yourself.
This month several of our team got together to discuss their favorite Holiday watches!
Dating Amber takes those uncomfortable moments from adolescence and highlights just how difficult growing up can be.
In the latest Queerly Ever After, Amanda Jane Stern looks at the lack of driving plot in From Beginning to End and the story that could have been.
A genuinely unusual movie that will elicit a genuinely unusual reaction, Wild Mountain Thyme is shockingly terrible.
Ammonite is a cold, distant viewing that rewards the viewer in sporadic intervals, confident that it will find the right audience.
Daryl MacDonald spoke with director Zeina Durra about her film Luxor, the city of Luxor itself to spirituality, dreams, accents, and more!
Luxor will reward that patience with a lovely, unsentimental look at life, which is well worth the price of admission.
Fruit Chan’s Made in Hong Kong’s bleak tale of alienated youth should appeal to anyone who has ever felt the future slipping away from them.