romance
The Lovers is an alternative romance that considers the harsh reality that maybe one love isn’t forever, and is simply the stuff of movies.
Rainy Kerwin’s debut film The Wedding Invitation is a well done romantic comedy with a strong story executed by a strong female cast.
Everything, Everything follows Maddy, who has spent her entire life confined to her home due to an illness, but falls for the boy next door.
Although the idea of reimagining Pride & Prejudice with a same-sex couple, Before The Fall lacks the fiery spirit of the source material.
Music, improvisation and intimacy: these are the ingredients that have made Derek Cianfrance’s films such emotionally-satisfying treats.
Pickpocket (1959) is an intricately staged, intimate character study from Robert Bresson – solidifying itself as one of his greatest works.
Annie Waits is a well-made short comedy that explores strong themes of young identity and love.
One of the true auteurs of cinema working today, Wes Anderson has become distinguished for his uniquely visual, quirky character-driven films.
This World War ll film is entertaining, though unfortunately Their Finest doesn’t really impress as it should.
The Fallen Idol is a fascinating look at adultery through the eyes of an innocent child, and has had a long-standing legacy as a result.
Though captured beautifully, Somewhere Beautiful suffers from an unfocused script and rushed direction by Albert Kodagolian.
Partly autobiographical, Counting for Thunder is a film that sometimes works, but mostly fails in its attempt to blend both drama and comedy.
The Other Half is a balanced portrait of not only a tangible and tender romance, but of a subject so little-seen in film; mental illness.
Though Rules Don’t Apply is beautifully shot and contains a tender romance, the two stories of the film collide, making it an uneven venture.
The Discovery dabbles in too many genres and never makes a compelling case for any of them, resulting in yet another lackluster Netflix film.