satire
In this latest series of The Simpsons Greatest Hits, we review “Lisa’s Substitute,” a well-acted, well-written episode with a perfect finale.
In a search to find the best The Simpsons episode, we review Season 7, episode 2 called “Radioactive Man.”
In the age of toxic masculinity at its most unbearably malignant, Fight Club is still an effective parody of the spread of hate between generations.
In this latest series of The Simpsons Greatest Hits, we discuss the episode Bart Sells His Soul, a darker episode for the character.
The Day Shall Come is so cartoonish that it just doesn’t feel believable or possible, let alone historical fact.
Our quest to find the greatest Simpsons episode continues, with “A Streetcar Named Marge,” a parody of A Streetcar Named Desire.
In the second of this series breaking down the best Simpsons episodes, Sean Fallon takes a look at season 4’s “Homer the Heretic”.
In the first of this series breaking down the best Simpsons episodes, Sean Fallon takes a look at season 4’s Last Exit to Springfield.
Dan Gilroy has stepped out of his comfort zone with satirical horror Velvet Buzzsaw – and the results are mixed, to say the least.
Adam McKay’s Vice is at its best when it mixes information with entertainment and leaves out all of the preaching.
If you belong to nearly any demographic, Johnny English Strikes Again will serve as a colossal letdown, and leave you contemplating how Rowan Atkinson could enter such a slump.
The 2014 controversial political comedy The Interview had a lot of hype surrounding it: how has it held up?
Sorry to Bother You is the perfect film for this particular moment – a moment that feels defined by the struggles of the ordinary people against traditional structures of power – even if it isn’t a perfect film.
Despite its absurd concept lending itself to occasional entertaining satire, The Jurassic Games suffers from poor visuals, bland cinematography, and poorly developed stereotypical characters.
Sorry To Bother You is an intelligent, batshit crazy satire that offers plenty of the theater of the absurd, a standout performance from Lakeith Stanfield, the most original script of the past two years, and plenty of laughs and food for thought.