A wonderful addition to the MCU and the superhero canon, The Fantastic Four: First Steps is a breath of fresh air in the genre.
Few movie franchises have battled allegations of greed like Jurassic Park. Since Steven Spielberg’s trailblazing…
The Electric State is a turgid mishmash of sci-fi with little uniqueness, bland characters, and a story so eye-rolling it may have been written by AI.
Mickey 17 ripped apart the rule book for a Hollywood sci-fi movie, and its box-office success will hopefully lead to Joon-Ho getting even more runway next time around.
Here’s a look at a Spanish-language fable, a crime comedy, dystopian sci-fi, and a Khmer-language story about a dead woman and her Queer grandson.
In this Away From the Hype we take a look at the 1954 Godzilla.
The “time loop” is a sci-fi cliché as old as the genre itself, but “Omni Loop” tries to put a new spin on the genre.
Ever as before, once “Romulus” gets underway, they encounter Facehuggers, Xenomorphs, and their mission devolves into a fight for survival.
From this year’s New York Asian Film Festival we take a look at Pattaya Heat, Twilight of the Warriors: Walled In & Brush of the God!
Forty-five years after Alien, cat people finally have a new horror movie with Michael Sarnoski’s “A Quiet Place: Day One.”
With the recent temporary re-release of the Phantom Menace to honor its twenty-fifth anniversary, how does the film hold up?
It has a lot of charm and it’s refreshing to see something playing by its own rules and not following a rigid formula.
It’s truly difficult to qualify the beast of an experience that is Megalopolis, and because of that, there’s an undefinable elegance.
Furiosa: A Mad Max Saga, is a prime example of how to craft a narrative expansion that ignites a creative spark worthy of praise.
Desert Road is what indie cinema should be. It’s ambitious, beautifully shot, and entertaining in all the right ways.