sci-fi
One thing that is true about Everything Everwhere All At Once: you’ve certainly never seen something like this before.
Doctor Strange in the Multiverse of Madness is one of the messiest, most chaotic Marvel movies to date.
The Faculty may not be the cinematic horror masterpiece you are looking for, but it is definitely one of the more entertaining horror films around.
For setting low goals, Sonic the Hedgehog 2 mostly delivers what it promises for the fans and families.
Writer-director Riley Stearns brings his drier-than-dust sense of humor to the science-fiction genre in Dual.
Good editing or not, Corwin’s impressive, ambitious work in Don’t Look Up is at least highly expressionistic and motivated.
The Sacred Spirit hooks you with its moody, deceptively elusive presentation brilliantly structured with a tactful eye for detail.
I dare anyone to watch the ending of The Iron Giant and test to see if their eyes stay dry. I know I wasn’t able to.
Waterworld is not perfect, it’s not as well-crafted and clever as the Mad Max franchise it’s clearly based on, but it is a great time.
With Seobok: Project Clone, it’s all too easy to be emotionally invested in their journey together, even in such an altogether generic film.
The Long Walk is a rich, complex tapestry of a film, woven together with elements of horror and science-fiction.
Last Survivors may fade to the recesses of your mind, but for a moment it may make you reevaluate your own idea of survival.
Coupled with strong performances and talent behind the camera, All of Us Are Dead is a binge-worthy venture.
Made pre-COVID, Iuli Gerbase’s The Pink Cloud is about two people forced into lockdown together when a toxic pink cloud envelopes the world.
The Matrix Resurrections is a curious and fascinating sequel, one which is completely aware of its own existence but also confused about why it exists.