sci-fi
Boss Level might not break new ground, but it’s throughly entertaining and worth watching at least once, if not time and time again.
The Horrific Inguiry column takes a look at the Universal Monster film Frankenstein (1931) and its legacy within film history.
Another Earth, Mike Cahill’s sci-fi romance celebrating its tenth anniversary, is multifaceted and deeply layered.
PG: Psycho Goreman may become a cult film favorite with its quotable lines, an imaginative cast of fantastical characters, and irreverent attitude.
Too caught up in its own inventive twist on the world, Bliss offers high concept science fiction without tying it to something meaningful.
With Sound of My Voice is celebrating its anniversary this year, now is the time to relive this classic Indie gem or to discover it for the first time.
But unfortunately, as Atlantis shows us, it takes more than a few stellar shots to make a character’s journey compelling.
In a retrospective world, now is the time to revisit Splinter – or to discover it for the first time. You won’t be disappointed.
The Midnight Sky is another example of something that could’ve been a complex and emotionally affecting work of science-fiction, but quickly collapses.
On the surface, Sphere — a 1998 flop directed by Barry Levinson and adapted from Michael Crichton’s hit sci-fi thriller — is perfect for lockdown.
While Synchronic is not the deep and pensive film it attempts to be, it is still an enjoyable film that will entertain.
Lapsis is topical, revolutionary, and maddening, encouraging viewers to think critically about the economic systems that govern their lives.
Attack The Block from Joe Cornish remains a rare gem that challenges the audience just as much as it entertains.
Anchored by Katherine Langford in her best performance yet, Spontaneous will turn heads, churn hearts, and best-case scenario, blow you away.
Deep down, what Possessor offers isn’t just violence and shock value, but has real ideas about identity and capitalism.