sci-fi
As a lighthearted take on the end of the world, Save Yourselves! is an enjoyable distraction.
With its flashes of humor and music, The Hole is a disturbingly timely depiction of humanity in crisis that speaks to our current isolation.
Far from the dumpster fire many feared, The New Mutants is a much more mundane disappointment: a near miss.
Away is clearly built to inspire, a sense of inspiration feels even stronger and more emotional by the time you arrive at the finish line.
With stunning technical work, solid performances and intriguing examination of parenthood, Raised by Wolves is enough to hook you in every episode.
Half-baked and poorly executed, Project Power is a big-budget, overly ambitious feature that does nothing but let you down.
Sputnik is a solid alien-driven thriller; it’s when it focuses on the more human elements to its story that it stumbles.
A forgettable military and horror thriller, Tom Paton’s Black Ops has all of the best intentions but fails to hit most of them.
As society becomes twisted and distorted in our actual lives, The Halt from director Lav Diaz now feels like a prophetic tale.
Based on Bong Joon-Ho’s masterful film, the TV adaptation of Snowpiercer starts slow but builds to a fascinating finale.
Videodrome’s feverish portrayal of the seductive allure and caustic bite of media indulgence and hyperreality remains to-the-minute.
If you are in the mood for a light, funny, horror-comedy – heavy on the comedy – Useless Humans is something special.
Glass may have been a film nineteen years in the making, but it feels superfluous and incredibly out of touch in a world littered with superhero films.
With a clever use of eerie scenery and camera shots, The Endless is a vortex that goes full on wacky, without diluting its purpose, only strengthening it.
Too heavy in its fan service at times, Solo: A Star Wars Story is not a terrible Star Wars entry, with enough fun moments to please.