short film
It’s been four years since A Long Day’s Journey Into Night, but A Short Story should serve as a satisfying appetizer for whatever feature-length treat.
While The Other Side of Things succeeds as a love letter to the American Dream, it does not succeed as a film, feeling more like an advertisement.
Roy is a solid debut, but ultimately it is neither good nor bad: overall, it is a fine beginning.
My First Native American Boyfriend is a chance to provide Native audiences a form of catharsis, a chance to have their real-world experiences represented.
Superior is not without its flaws, and it wears its influences on its sleeve almost to a fault, but it’s still a worthwhile watch.
This animated short addresses the ridiculous entitlement of people who believe that Native culture is a fad for them to consume.
Daryl MacDonald spoke with director Aneil Karia about his film The Long Goodbye, the Oscars, to his latest film Surge, and more!
Film Inquiry spoke with Orlando Von Einsiedel and Sudha Bhuchar for their short film Into Dust.
Matt Rosenblatt’s 2020 short film Movie Night peeks in on a couple’s first date where they watch a horror movie. But what lurks on the video?
Stephanie Archer takes a look at the 2021 Oscar Documentary shorts!
There are short films that spark franchises, and The Man in the Pinstripe Suit has the makings of such a success.
Stephanie Archer takes a look at 2021’s Oscar Nominated Animated Short Films: Burrow, Genius Loci, Opera, Yes-People and If Anything Happens I Love You.
Monkey Bars is a must see short film with with its atmospheric, evocative score that adds to the anxiety of its scenes.
Precise, clean, and clearly well-thought-out on a technical level, Blue Ruby is charming, well-constructed and rewards multiple viewings.
Drunken Film Fest Bradford announced six short film winners that represent a passionate, multicultural, and wonderfully bizarre mélange of movies.