supernatural
Admittedly, I didn’t get into the Final Destination series until just recently, but of course I…
Though these two films, “Didn’t Die” and “Rains Over Babel,” are very different stories, they are tied together by ideas of mortality.
Smile 2 may occasionally overdo it with its over-the-top approach, and it contains a scattershot plot, but its strength lies in its presentation.
Halloween Ends and the druid-focused Halloween: The Curse of Michael Myers bear more similarities than immediately expected.
Patrick Ridremont’s The Advent Calendar is a holiday horror film about a woman given the opportunity to walk again, but at what price?
Between its seemingly inconsistent mythology and a confusing timeline, Double Walker forces the audience to work harder to appreciate its strengths.
Hellbender create its own stamp on the subgenre with a twisting, trippy and complex mother/daughter relationship that is certain to leave a lasting mark.
Mike Flanagan’s The Haunting of Bly Manor once again sees him revisiting an old horror text as a roadmap to explore human emotions.
Despite a potentially fun premise, Elvis from Outer Space does not quite capture the B-movie joy it appears to be chasing.
Brahms returns in this pointless sequel to The Boy, which starts out with some promise but loses its plot halfway through.
Atlantics tells the story of the women who are left by their men as the latter migrate to seek work, and it tells that story beautifully.
I See You is a well-crafted head-scratcher even if it doesn’t seem so at first.
With such an interesting true story to draw from, it’s a real shame that The Child Remains is so underwhelming.
With horror movie clichés lurking around every corner and a script that’s difficult to digest, The Curse of La Llorona will likely meet the void where bad horror flicks go to be forgotten.
Hellboy is an unfortunate example of how a R-rated superhero film could go wrong. It’s violent, but to a fault, lacking humor, substance, or a compelling story to go along with it.