thriller
While it had the potential to be something more, as it was, Wolf Garden tried to do too many things and never found a solid identity.
Cocaine Bear is funny, and full of plenty of laughs, shocks, and gore in its short runtime.
Away from the hype, Akira fares very, very well, remaining the Rosetta stone for so much sci-fi, body horror, and cyberpunk today.
Kompromat is a tense and gloomy character-driven thriller, loosely based on real events, and is an energetic ride that never lets up.
This film may be a remake of the 1981 classic but it creates its own identity, carving out its own place within the horror genre.
Little Dixie has little moments of thrill amid a sufficient yet standard crime story that Frank Grillo glides through with guns and chainsaws.
Despite running a mere 72 minutes, Jethica’s story comes full circle in a way that feels incredibly satisfying — so really, what do you have to lose?
Shyamalan’s Knock At The Cabin finds new ways to explore old ideas, deviating slightly from his usual formula while still making you frightfully uneasy.
The Outwaters is a movie you won’t soon forget, becoming a definitive part of the rolling word of mouth marketing.
While Sick may not be the grade-A horror film it wants to be, it is an enjoyable watch, with a few surprises, and some great visual creations.
The Most Dangerous Game proves itself to be a classic film that goes beyond the staples of film infancy.
In our latest report from the 2023 Sundance Film Festival, Kevin L. Lee reviews two Australian horrors – Run Rabbit Run and Talk to Me!
Deeply layered and nuanced, Blood finds the life line of horror and harnesses it for an experience that satisfies, and has you craving to return for more.
In her second report, Kristy Strouse hones in on three of the Midnight selection!
2022 was quite the year for horror cinema, and “Smile” takes the cake as a particularly horrifying look at how trauma endures.