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Film Inquiry spoke with writer/director Robbie Banfitch about the making of his newest film: The Outwaters.
Despite solid source material in George Saunders’ short story, Spiderhead is a visually inert misfire and one of director Joseph Kosinsky’s lesser works.
From the 2022 Sydney Film Festival, Alex Lines covers Jean Luc Herbulot’s Saloum and Emin Alper’s Burning Days.
The Stepfather is not the knock-out it wants to be, yet there is a horror within its framework and excellent lead performance.
In her first report from Tribeca Film Festival 2022, Kristy Strouse reviews Family Dinner, Huesera & A Wounded Fawn!
The final installment of the World trilogy, Jurassic Park Dominion breaks through with more dinosaurs and a mixed bag for audiences.
Keeping Company weaves a critical look at society, greed-fueled power and consequence of capitalism while crafting a film that delivers humor and horror.
A thought-provoking exploration of morality and mortality divided neatly into two parts, Miracle isn’t clear-cut or easy to comprehend, but it is compelling.
For this Horrific Inquiry, we take a look at the 2010 horror starring Ryan Reynolds: Buried.
Torn Hearts’ excellent female-led cast lead a fun, campy, psychological nightmare showing that the music industry can be killer.
Vogt’s decision to not pull any punches is a large part of what makes The Innocents such an effective horror film.
Where many have found immense success within the genre, Emerson Moore’s “Escape the Field” will be a film that falls quickly from memory.
The latest Horrific Inquiry with Stephanie Archer ventures into 2013’s Mama, just in time for Mother’s Day!
Black Box as a whole will keep viewers engrossed and unsure, its unpredictability and weaving mystery an entertaining venture.
Both beautiful and brutal, Robert Eggers’ The Northman is a saga worth seeing.