thriller
Far from the best horror film, and far from the best slasher, there is something classically endearing about My Bloody Valentine.
4×4 is a broodingly effective thriller set in the crime-riddled streets of Argentina, with poignant thoughtfulness for the characters involved.
Kristy Strouse reviews the campy action fantasy, Prisoners of the Ghostland, and spoke with star Bill Moseley.
The Little Things wants to be a movie absorbed in its meticulous clues and details, yet stumbles over itself at nearly every possible moment.
From adult animation about cryptids to thrillers, in her first report from The 2021 Sundance Film Festival Kristy Strouse gives us her first three reviews.
With Sound of My Voice is celebrating its anniversary this year, now is the time to relive this classic Indie gem or to discover it for the first time.
From its very first beat, Silence & Darkness is filled with a lingering sense of distress, unfortunately gaining traction too late in the game.
Spoor combines the plot of a murder mystery with the morality of an old-fashioned fable to convey a message of righteous environmentalist anger.
Retirement from the force isn’t just the end of his career — it’s the annihilation of his entire identity.
In a retrospective world, now is the time to revisit Splinter – or to discover it for the first time. You won’t be disappointed.
Jim Dixon spoke with director Ansel Faraj about his film Loon Lake, blaspheming, and burning down the church in the rain.
The unfortunate thing about Beasts Clawing at Straws is that it tries to force entertainment through shock value instead of investing in the characters.
The Dry has just enough mystery and intrigue lingering at every begrimed frame to keep the audiences invested.
Trained focuses on a unique idea but never seems to spring up or explore what’s beneath the surface of it’s chosen gimmick.
The Midnight Sky is another example of something that could’ve been a complex and emotionally affecting work of science-fiction, but quickly collapses.