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Temptingly measuring suspense and psychological anguish, A Dark Foe doesn’t always fulfill its thematic potential, but the effort ensnares you in its grip.
While it’s true that film as a medium is intrinsically subjective, it seems pretty clear amongst viewers with knowledge of film that Parasite will go down as a classic.
The Village in the Woods is a deviant slow burn with just enough horror to satisfy you this Halloween, even if it gets a bit muddled along the way.
While episode 2 of AHS 1984 provided new insights, more than enough questions arose as murder, secrets and terror lurked in the shadows.
Ad Astra is not without its flaws, but Gray’s science-fiction endeavor is ultimately one of the best films of the year.
In the Shadow of the Moon joins the ranks of Equilibrium and the most recent Planet of the Apes trilogy as a politically motivated film disguised as a popcorn flick.
With groundbreaking visual effects, a razor sharp script, three generational talents and the great Martin Scorsese, The Irishman is as exceptional as you’d hope.
A conspicuously suspense-free story, Haunt feels like a missed opportunity by refusing to take its own ideas to the extreme.
In a lover letter to the horror genre, AHS 1984 packed a nostalgic punch – leaving the door wide open for more homage to come.
A beautifully orchestrated collaboration of horror films, AHS 1984 is gruesome, graphic and for those who love gore, oh so satisfying.
Bloodline is a truly frustrating experience – a few less unneeded twists and turns might have made the whole thing plausible.
Beyond a creative design and trailer, Killer Sofa is an idea that may have been conceived and executed foolheartedly.
With the personal and professional lives of FBI agents Holden Ford (Jonathan Groff) and Bill…
With standout and nuanced performances, Villains is one of the funniest horror films you will see in quite some time.
Ne Zha might not be the best animated film of the year, but China is getting awfully close in competing against Hollywood’s animated offerings.