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Room For Rent is like the world’s worst filled donut; doughy and undercooked until you get to the sweet, jam-filled middle middle that is Lin Shaye and it’s all worth it again.
Though not flawless, All Creatures Here Below will likely have you both conflicted as much as moved by its events, in addition to stirring performances by Karen Gillan and David Dastmalchian.
Like any great anti-hero story, the lead of The Realm knows he’s a bad man, and Sorogoyen makes him go through hell to atone for his sins.
Picture a world where women live in fear of men’s violent outbursts. This all too relevant scenario is where episode 7 of the Twilight Zone reboot begins.
The Shade Shepherd is a thumping and garish character venture, made to look and feel alluring, yet ends up inheriting an artistic drive, low on fuel and brisk in speed.
With the most creative kills anywhere, a deeper mythology, and great additions to the cast, John Wick: Chapter 3 – Parabellum is even more deadly and enjoyable.
Subversive, icky and incessantly spellbinding, writer-director Anthony Stabley operates artistically well in Everlasting.
Despite few releases due to Avengers and politics, cinemagoers were served with two major Bollywood releases this month: Romeo Akbar Walter and Kalank.
We were able to sit down with director Ant Timpson, and stars Elijah Wood and Stephen McHattie to discuss their new and wild film Come To Daddy.
Matteo Garrone is arguably one of the most talented filmmakers working today. He is certainly,…
In the latest of our Video Dispatch series, we discuss the recent home video releases The Mule, Dragged Across Concrete, and Blaze.
A rare superhero movie that highlights the ordinary alongside the extraordinary, Fast Color is a bold and breathtaking spin on the genre that deserves to be seen as widely as any movie released under the Marvel banner.
With horror movie clichés lurking around every corner and a script that’s difficult to digest, The Curse of La Llorona will likely meet the void where bad horror flicks go to be forgotten.
Despite its many flaws and shortcomings, The Body At Brighton Rock is enjoyable when taken as a cheap comedy with some high tension moments.
The Silence is worth a watch because of Stanley Tucci alone, but if you crave a good film, just pick up a copy of A Quiet Place instead.