thriller
Furiosa: A Mad Max Saga, is a prime example of how to craft a narrative expansion that ignites a creative spark worthy of praise.
Even with as slow and frustrating as the first half of it was, New Life was still a fun watch.
There is a deep love that carries through the devastation, Train to Busan delivers what movies are all about.
Femme is both mean and tender, displaying how sexuality and secrets can keep ones real self in violent confrontation with one’s masked self.
A timely horror satire chock full of gore and guffaws, Humane entertains in spite of its flaws.
A man and his teenage daughter realize they’re at the center of a dark and sinister event while watching a concert.
One of the most painfully lovely films of last year, Monster is a moving reminder of the importance of empathy and understanding.
Society of the Snow delivers a powerful narrative that transcends the screen, prompting audiences to contemplate the depths of human endurance.
A skill that speaks to a seasoned directing team, but as a debut feature Birdeater tests and tortures, and doesn’t waver.
Club Zero is often disturbing and always engaging, but it’s certainly not for everyone.
Desert Road is what indie cinema should be. It’s ambitious, beautifully shot, and entertaining in all the right ways.
Admirably, Sew Torn remains winningly earnest in its treatment, aiming for Edgar Wright’s shaggy dogs over Nolan’s smooth criminals.
Jericho Ridge is indeed a B-movie take on Assault on Precinct 13, coupled with plenty of Carpenter style flourishes which show Gilbey did his homework.
While occasionally veering into an overly complicated and opaque narrative structure, The G is a fun genre thriller with an incredible performance.
A touching portrait of personal resistance in the face of violence and repression, Shayda is a standout debut.