thriller
Patriots Day is a memoir to the tragic events of the 2013 Boston Marathon Bombing, brought to screen both tactfully and honorably.
Twenty Twenty-Four is a sci-fi that alerts its audience as to a possible world-ending scenario, though it’s not a complete success.
Nocturnal Animals is Tom Ford’s latest film, presented in lavish and bright neon colors; though it also possesses a hopelessly dark view.
The Unknown Girl sees the directors yet again flirt with their beloved recurrent theme of criminality, here taking their most overt detour into procedural thriller territory to date.
We caught up with successful British horror director Prano Bailey-Bond, chatted about her sort film NASTY and her upcoming projects!
Jack Reacher: Never Go Back is a sequel that falls flat and misses the opportunity to create something worthwhile.
Sugar Mountain is a dark thriller about life in small-town America; with fine character acting and tension building, it’s a unique hit.
Anonymous is a film based on computer hacking, yet, with a less than subtle focus, it feels much like a tamer version of the show Mr. Robot.
Strangers on a Train is one of Hitchc*ck’s famous works – using only camera techniques and visuals, it successfully conveys a chilling story, and achieves its horror with less than blood and creepy props.
With Allied, yet another volume has been added to the overflowing pile of wartime films. Though with the talented Robert Zemeckis at the helm, it seldom showcases his trademark focused and proficient direction, which is therefore not enough to raise the film above its many aching flaws.
If you are looking for a pleasurable and visual exciting crime thriller from a cinematic legend, you should definitely give Dog Eat Dog a try.
Some films just break your heart. They wheedle their way in with a warm embrace, and find a way to really stay with you, leaving you with deep a sense of loss, and yet, gratitude. A Death in the Gunj is one such film.
Elle faithfully transcribes the original book “Oh…”, presenting masochistic and sadistic elements as comedy in the darkest form.
Oscar winners Tom Hanks and Ron Howard reunite in their third collaboration on a Dan Brown adaptation, Inferno. Small wonder. The Da Vinci Code grossed better than $750 million worldwide, and its sequel, Angels & Demons, based on a lesser known novel that marked the first appearance of globe-trotting symbologist Robert Langdon, pulled in close to $500 million.
Sure, we’ve all heard the rumours: topping the critics’ pick of the flicks for this century, hell, this millennium so far, is David Lynch’s Mulholland Drive. But what exactly happened up in the darkness of those famous hills, on those enticing yet savage switchbacks?