Tribeca Film Festival
In our first short film recap from Tribeca 2019, we review The Neighbor’s Window, Bunker Burger, Momster, 40 Minutes over Maui, Zero, 99 and Sweater.
Straight from Tribeca 2019, Kristy Strouse reviews Two/One, A Day in The Life of America, The Kill Team and spoke the cast and director on the red carpet.
Plus One is a perfectly serviceable and adequate romantic comedy; it has moments that charm and promising performances.
Kristy Strouse spoke with Christopher Thorn and Rogers Stevens from the band Blind Melon for the Tribeca documentary All I Can Say.
Kristy Strouse recalls some of the incredible immersive opportunities she was able to experience at the 2019 Tribeca Film Festival.
The idea of a future where women are valued only for their ability to repopulate doesn’t seem far-fetched today, giving Only an undercurrent of terror.
Straight from Tribeca 2019, Kristy Strouse reviews All I Can Say, Bliss and Lost Transmissions, and spoke with Simon Pegg on the red carpet.
We spoke with the three-person directing team behind rock doc All I Can Say, Danny Clinch, Taryn Gould, and Colleen Hennessy, at Tribeca 2019.
Tribeca… I’m back! There was an immediate sensation of home in the streets of NY…
Screening at this year’s Tribeca Film Festival as part of the U.S. Narrative Competition, Blow…
We were able to sit down with director Ant Timpson, and stars Elijah Wood and Stephen McHattie to discuss their new and wild film Come To Daddy.
While it’s plot is relatively flimsy, American Woman thrives on the basis of its powerful performances, particularly those from Hong Chau and Sarah Gadon.
We were able to talk to Matt Ratner, director of the comedy Standing Up, Falling Down, featuring the iconic Billy Crystal.
As with the girls at the center of this story, At the Heart of Gold is a documentary that people need to see, and to understand.
Watson is a vital showcase of the power a person can have to affect change and how far reaching that change can be to others.