United Kingdom
Karl Holt’s Benny Loves You is a madcap feature debut that toys with a man-child’s inability to let go of childhood.
As a scrappy horror, put together in difficult circumstances, its existence is impressive. Yet its merits as a film and a story, it lacks focus.
As captivating of an examination it is, Monday constantly threatens to lose its audience, its pace and lack of empathy disconnecting.
Say Your Prayers is a thoughtful and humorous exploration of morality, religion, and the strength of individual people.
While Six Minutes to Midnight does tell a story about life on the cusp of World War II, it still doesn’t stand out.
Wildfire is a commanding calling card for Brady, showcasing kitchen-sink realism and a powerful portrayal of sibling heartbreak.
Back in 1971, Mike Leigh’s Bleak Moments showed the director’s take on the awkward moments that make humanity so complex and compelling.
Overall, John Smith’s Citadel is a perfect cinematic reflection of the difficult 2020 that the British public dealt with.
Precise, clean, and clearly well-thought-out on a technical level, Blue Ruby is charming, well-constructed and rewards multiple viewings.
Full of unfunny human characters and a plot that doesn’t even involve its iconic animal characters, Tom & Jerry is a gross miscalculation.
Creation Stories will appeal most to those with an interest in 90s pop culture as it is unabashedly content to revel in those memories.
What we’re given is far more surface-level than it should be, and unfortunately doesn’t add as much to the conversation as it perhaps thinks it does.
I Care A Lot suffers from a tonal shift, is still prevalent enough that the film is entertaining and enlightening all the way through.
While the movie could’ve been a little deeper, Censor is nevertheless still a solid debut from Bailey-Bond.
Supernova is a remarkable little film, highlighted by the beautiful chemistry between stars Colin Firth and Stanley Tucci.