United Kingdom
With Mangrove, Steve McQueen crafted a beautiful, shattering testament to the power of community amid the horrors of tense racial relations.
With strong performances and boldly deliberate pacing, even the odd misstep can’t stop the fact that Rose really packs a punch.
A small-scale, intimate story of strength and friendship it may be, but Herself has a thematic reach well beyond its plot.
As we wait for No Time To Die, Jake Tropila takes a look back at Octopussy, Roger Moore’s penultimate film as James Bond.
Eternal Beauty is nonetheless an enjoyable film with admirable intentions, elevated by the sensitive work of Hawkins and her supporting cast.
Daryl MacDonald covered Mogul Mowgli as part of the 2020 London Film Festival, which features Riz Ahmed in his most personal role yet.
In anticipation of the release of No Time To Die, Jake Tropila takes a look back at For Your Eyes Only, Roger Moore’s fifth film as Bond.
In anticipation of No Time To Die, Jake Tropila takes a look back at Moonraker, the film that launched Roger Moore’s Bond into space.
Deep down, what Possessor offers isn’t just violence and shock value, but has real ideas about identity and capitalism.
Jake Tropila takes a look back at The Spy Who Loved Me, Roger Moore’s third Bond film, in anticipation of the release of No Time To Die.
As we await the release of the next Bond film, we take a look back at The Man with the Golden Gun, Roger Moore’s second entry.
Anchored by Millie Bobby Brown’s delightful performance, Enola Holmes is a charming riff on the Sherlock Holmes lore.
As we await the release of No Time To Die, Jake Tropila takes a look back at Live and Let Die, Roger Moore’s first film as James Bond.
Limbo is nothing short of sublime, a triumphant feat of storytelling as striking in its visuals as it is in its writing.
I Care a Lot subjects its audience to the devils whose company is never entreated, but whose dastardly dispositions are never without flair.