United States
The most surprising thing about High Flying Bird is how it takes a niche and seemingly uninteresting topic and finds a message of social importance within.
Cold Pursuit is a rare English-language remake that actually works; a solid genre entry that knows what it wants to do, and does it damn well.
Despite some technical hiccups and the extremely low budget, Hunter’s Weekend is a well-made movie with a fascinating and very current angle on masculinity.
Fire on the Hill is an inspiring journey of building, rebuilding and reinforcing a community for the black community in Compton, away from the notorious factions that gave the city a dark reputation.
The Last Laugh tries its best to tell a sweet tale about growing old with dignity and never giving up on your true self.
Coupled with a brilliant script and outstanding performances by its two leaders, To Dust has already become a standout early on in 2019.
The Man Who Killed Hitler and Then the Bigfoot is not the B-movie you’d expect, but it is an emotionally engaging and gripping film nonetheless.
Although the film ultimately posits that there is far more going on than meets the eye, Braid has more than outworn its welcome.
While a bit rough around the edges, Under the Silver Lake is one of those films that you’ll be lucky to experience even in light of its flaws, and stands as an astounding sophomore effort.
The Lego Movie 2 is a perfectly crafted sequel that expands on the world of its predecessor, but stands firmly on its own little Lego-legs.
A forced romance, lackluster execution, and a tendency to pander to its audience makes IO come up far shorter than it otherwise could’ve been.
Dan Gilroy has stepped out of his comfort zone with satirical horror Velvet Buzzsaw – and the results are mixed, to say the least.
Video Dispatches is a regular digest of recent home video releases, usually from boutique and restorative labels. Here, we discuss Marwencol, Waterworld, and a trio of Iranian films.
Serenity is a little bit genius, a little bit of a mess, but at the very least it is something interesting, and it commits to itself and its choices.
Lost Holiday illustrates our inescapable desire for the days when irresponsible behavior was met with laughter and a slap on the wrist, but what happens when that responsibility is willfully ignored.