United States
Dead Reckoning Part One is a vigorous dose of action filmmaking at its finest.
Morbius was a double failure at the box office because its lead is boring, its plot is derivative, and its marketing tried its damnedest to trick audiences.
The Out-Laws is a workable piece of entertainment, yet will struggle to be a film audiences remember after its release.
The Truman Show manages to be inspiring and disturbing simultaneously, a symbiosis that is rarely seen.
This series comes back for a season two with an entertaining entry that shows an improvement over the first both in writing and performances.
Dial of Destiny is not perfect, with noticeable flaws, but it is also very entertaining, exciting, and well-acted.
It may not stand against the test of time in all that it has to deliver, but The Ring still proves to audiences why it never sleeps.
Ruby Gillman, Teenage Kraken doesn’t make a huge splash, but it does tread well enough to be an enduring animated film for those still in the kiddie pool.
Asteroid City is stylistically undifferentiated from most of Anderson’s recent output but it does take the audience behind the curtain.
From Fantastic Mr. Fox to The French Dispatch, something strange and different happens every time and Asteroid City is no different.
Lynch/Oz is a very film 101 documentary, one which aims to open doors for the performer, lover, and cinema enigma that is Lynch.
Evil Dead is brutally violent and unrelentingly gory, yet it is also the work of an artist with a passion for the craft.
While Minted presents intrigue in both the product and the artists behind them, it struggles to become a cohesive unity of art and information.
A Woman of Paris is a romantic drama that is equal parts engaging and tragic, with performances that are as impactful today as they were a century ago.
The Space Race captures the journey of space flight though the unrelenting spirit and resilience of the black community.