United States
Despite some well-directed action sequences, Unlocked is mostly fleeting entertainment, inserting nothing new into a tired-out spy genre.
Released in cinemas for one night only, Logan Noir is every bit as bloody, brutal and essential as its brightly coloured counterpart.
The Dinner might have attempted to do too much with its source material, but Steve Coogan is phenomenal, in one of his best roles to date.
With Table 19, writer/producers Mark and Jay Duplass have added another light and breezy flick to their eclectic filmographies.
Starring Jessica Chastain in one of her best recent roles, Miss Sloane is a triumphant political thriller that only occasionally falters.
Guy Ritchie has joyously updated King Arthur with the same distinctive style as his Sherlock Holmes movies. Purists may want to look away.
The Amy Schumer hate train has been gaining momentum as of late. Her hard political…
Despite bringing to life some previously unseen perspectives on the holocaust, The Zookeeper’s Wife is far from faultless.
Yellow Fever wants to be an important film about Asian identity, however it falters and falls back on tired Hollywood plots and stereotypes.
With an interesting premise & gorgeous visuals, A Cure For Wellness sadly gets bogged down by its 130 minute runtime and poor story delivery.
Though with timely themes and a fine cast/director, The Circle attempts to do too much with its material, instead ending up as lost potential.
Small Crimes’s script fails to capture the continuity of Zeltserman’s novel, and Katz doesn’t make the transition any smoother at the helm.
Guardians of the Galaxy Vol. 2 pales, in some ways, to its predecessor, yet it has just enough charm and heart to make up for its pitfalls.
Silver Skies shows us how full of love, passion, friendship and fun the lives of the elderly are, and how we can learn from this depiction.
Tracktown, by Alexi Pappas and Jeremey Teicher, is a cutesy, generic, unfunny indie film, with an array of underdeveloped themes.