United States
A Star Without a Star comes off as the epitome of a labor of love many years in the making.
On this Away from the Hype, we look at the racy 1995 film: Showgirls.
Film Inquiry spoke to writer, director, and historian John Mulholland about his new documentary: Inside High Noon.
The Silencing is an American thriller film from 2020 from Belgian director Robin Pront and starring Nikolaj Coster-Waldau.
Something in the Dirt is proof that massive amounts of ingenuity and invention can still be found in the movies…that is, if one knows where to look.
If all you want to do is go back in time and see these bands performing when they were at the peak of their powers, then Meet Me in the Bathroom certainly gets the job done.
For this Inquiring Minds, we take a look at John Carpenter’s 1988 sci-fi/horror!
It may not be the standout Zombie was hoping for, but Halloween finds its own brutal identity along the way while still honoring the original.
While the visuals and horror may not have stood the test of time, The Birds proves there is still more to be taken away watch after watch.
Little Odessa is not only a sobering look at a first generation Brooklyn family, but is also the best gangster film you’ve never heard of.
Hulu’s Grimcutty is a creepypasta made tangible, a horror tale with much more going on than your standard monster movie or slasher.
Without Gandolfini, without any sort of revelation, we’re left with a movie that sort of resembles The Sopranos but feels more like a cheap knock off.
While Terrifier 2 lacks some of the tension of the original, this long, surreal sequel makes up for it with scene after scene of showstopping gore.
Unpredictable and unapologetically violent, Terrifier may seem like a B-horror, but it is far from it.
The first 90 minutes of David Gordon Green’s Halloween Ends easily outweigh most of the films that have come before it.