United States
By time-traveling Beavis and Butthead to the future, it forces the cultures of past and present to have to confront each other’s stubbornness.
There’s a lot to take away from Hallelujah: Leonard Cohen, A Journey, A Song, including, most importantly, a better understanding of the artist himself.
While not the worst Thor film, Love & Thunder has a lot of potential in its fantasy adventure but rarely rises to become a worthy sequel.
Brian and Charles feel like such a British invention; however, its themes and its heart are universal and large.
The Rwandan-American neon-brushed Afrofuturist musical Neptune Frost is a film radiating with vigorously sensible energy and insight.
On this Horrific Inquiry, we review the 2008 remake of Prom Night!
Lacking horror and empathy, Abandoned is film that should be just that – abandoned.
With only eight episodes, most a half-hour, The Bear is a funny, tense, and riveting binge.
Mad God bursts and spews onto the scene in absolutely take-no-prisoners fashion and has steadily placed itself close to the top of the pile as one of the best movies of 2022.
Despite solid source material in George Saunders’ short story, Spiderhead is a visually inert misfire and one of director Joseph Kosinsky’s lesser works.
Rondo and Bob has moments of heart, but these moments are lost amid a sea of re-enactments that never quite land.
The musical performances in Elvis will obviously be a major draw but the stellar performances make it all the more intoxicating.
Spanning the release of her film Hustlers to her Superbowl Halftime performance, Amanda Micheli’s Halftime documents Jennifer Lopez.
Acid Test has its moments of realistic, memorable coming-of-age storytelling even if the film’s stories don’t always blend.
The Stepfather is not the knock-out it wants to be, yet there is a horror within its framework and excellent lead performance.
