United States
Despite solid source material in George Saunders’ short story, Spiderhead is a visually inert misfire and one of director Joseph Kosinsky’s lesser works.
Rondo and Bob has moments of heart, but these moments are lost amid a sea of re-enactments that never quite land.
The musical performances in Elvis will obviously be a major draw but the stellar performances make it all the more intoxicating.
Spanning the release of her film Hustlers to her Superbowl Halftime performance, Amanda Micheli’s Halftime documents Jennifer Lopez.
Acid Test has its moments of realistic, memorable coming-of-age storytelling even if the film’s stories don’t always blend.
The Stepfather is not the knock-out it wants to be, yet there is a horror within its framework and excellent lead performance.
Irene Taylor’s documentary Leave No Trace looks at the dark side of the Boy Scouts of America, which allowed the abuse of countless boys.
In her first report from Tribeca Film Festival 2022, Kristy Strouse reviews Family Dinner, Huesera & A Wounded Fawn!
At the 2022 Tribeca Film Festival, Patrick Bresnan and Ivete Lucas’ Naked Gardens delves into a secluded nudist colony in Florida.
Ray Ramano makes his directorial debut with Somewhere In Queens, a comedy-drama about an Italian-American family.
Goodbye, Petruska navigates the turbulent experience of challenging reality with ambition to deliver something one can be truly proud of.
The final installment of the World trilogy, Jurassic Park Dominion breaks through with more dinosaurs and a mixed bag for audiences.
With two fascinating lead performances, wonderful music, and Logan Floyd’s hypnotic cinematography, there’s a lot about Poser that is worth checking out.
Keeping Company weaves a critical look at society, greed-fueled power and consequence of capitalism while crafting a film that delivers humor and horror.
The Bob’s Burgers Movie plays well for both fans who want more of the show’s antics and new viewers who are looking to get acquainted with the characters.