United States
The Rwandan-American neon-brushed Afrofuturist musical Neptune Frost is a film radiating with vigorously sensible energy and insight.
On this Horrific Inquiry, we review the 2008 remake of Prom Night!
Lacking horror and empathy, Abandoned is film that should be just that – abandoned.
With only eight episodes, most a half-hour, The Bear is a funny, tense, and riveting binge.
Mad God bursts and spews onto the scene in absolutely take-no-prisoners fashion and has steadily placed itself close to the top of the pile as one of the best movies of 2022.
Despite solid source material in George Saunders’ short story, Spiderhead is a visually inert misfire and one of director Joseph Kosinsky’s lesser works.
Rondo and Bob has moments of heart, but these moments are lost amid a sea of re-enactments that never quite land.
The musical performances in Elvis will obviously be a major draw but the stellar performances make it all the more intoxicating.
Spanning the release of her film Hustlers to her Superbowl Halftime performance, Amanda Micheli’s Halftime documents Jennifer Lopez.
Acid Test has its moments of realistic, memorable coming-of-age storytelling even if the film’s stories don’t always blend.
The Stepfather is not the knock-out it wants to be, yet there is a horror within its framework and excellent lead performance.
Irene Taylor’s documentary Leave No Trace looks at the dark side of the Boy Scouts of America, which allowed the abuse of countless boys.
In her first report from Tribeca Film Festival 2022, Kristy Strouse reviews Family Dinner, Huesera & A Wounded Fawn!
At the 2022 Tribeca Film Festival, Patrick Bresnan and Ivete Lucas’ Naked Gardens delves into a secluded nudist colony in Florida.
Ray Ramano makes his directorial debut with Somewhere In Queens, a comedy-drama about an Italian-American family.